In the early 1960s, minor-player Marvel Comics introduced a host of brightly bedecked and brave but sometimes humanly fallible superheroes like Spiderman; now its the No. 1 comics company in the world. Here is an unauthorized history from former Entertainment Weekly editor Sean Howe.
The debut graphic novel from Noah Van Sciver follows the twenty-something Abraham Lincoln as he loses everything, long before becoming our most beloved president. Lincoln is a rising Whig in the state’s legislature as he arrives in Springfield, IL to practice law. With all of his possessions under his arms in two saddlebags, he is quickly given a place to stay by a womanizing young bachelor who becomes his friend and close confidant. Lincoln builds a life and begins friendships with the town’s top lawyers and politicians. He attends elegant dances and meets an independent-minded young woman from a high-society Kentucky family, and after a brisk courtship, becomes engaged. But, as time passes and uncertainty creeps in, young Lincoln is forced to battle a dark cloud of depression brought on by a chain of defeats and failures culminating into a nervous breakdown that threatens his life and sanity. This cloud of dark depression Lincoln calls “The Hypo.”
Twenty-eight-year-old Nao Brown, who’shafu(half Japanese, half English), is not well. She’s suffering from obsessive-compulsive disorder (OCD) and fighting violent urges to harm other people. But that’s not who she really wants to be. Nao has dreams. She wants to quiet her unruly mind; she wants to get her design and illustration career off the ground; and she wants to find love, perfect love. Nao’s life continues to seesaw. Her boyfriend dumps her; a toy deal falls through. But she also meets Gregory, an interesting washing-machine repairman, and Ray, an art teacher at the Buddhist Center. She begins to draw and meditate to ease her mind and open her heart—and in doing so comes to a big realization: Life isn’t black-and-white after all . . . it’s much more like brown.
The Graphic Canon, Volume 2 gives us a visual cornucopia based on the wealth of literature from the 1800s. Several artists—including Maxon Crumb and Gris Grimly—present their versions of Edgar Allan Poe’s visions. The great American novel Huckleberry Finn is adapted uncensored for the first time, as Twain wrote it. The bad boys of Romanticism—Shelley, Keats, and Byron—are visualized here, and so are the Brontë sisters. We see both of Coleridge’s most famous poems: “Kubla Khan” and “The Rime of the Ancient Mariner” (the latter by British comics legend Hunt Emerson). Philosophy and science are ably represented by ink versions of Nietzsche’s Thus Spake Zarathustra and Darwin’s On the Origin of Species.
Confessing his past to an unidentified woman, Doug struggles to recall the mysterious incident that left his life shattered, an incident that may have involved his disturbed and now-absent girlfriend, Sarah, and her menacing ex-boyfriend.
From his first appearance in Amazing Fantasy #15 in 1962, to his appearance in numerous blockbuster films, Spider-Man has captivated legions of fans, young and old alike. With DK’s fascinating chronicle format, this guide traces the development of your friendly neighborhood web-slinger by decade, looking at comics, storylines, and character — year by year, month by month. Readers will get to take a closer look at the writers and artists who created the hero, the development of his iconic costume, and the key story arcs, allies, and foes that make up Spidey’s world.