This remarkable album is a collaboration between Rudy Burckhardt, one of the great New York photographers of the 1930s and 40s, and his companion and lifelong friend, the poet and dance critic Edwin Denby. Previously unpublished, and reproduced here in facsimile, New York, N. Why? is a unique, handmade book containing 67 photographs and seven sonnets. Now in the collection of The Metropolitan Museum of Art, New York, it contains many of Burckhardt s best-known images, dazzlingly sequenced into three urban themes – advertising, pedestrians, and street furniture.
How do you make your photographs worth the proverbial thousand words? From portraits to landscapes, still-lifes to documentary shots, Expressive Photography will not only show you why certain images unique, it will also teach you how to create your own compelling photographic images. Visually stunning and unique in its collaborative approach, this book brings the spirit of the immensely popular Shutter Sisters’ blog to the printed page through the voice and photography of its founding members.
The myriad colors, textures, and rhythms of Vietnam are captured in this collection of compelling color images. Vietnam Journeys explores the landscapes, cityscapes, fishing villages, customs, culture, commerce, cuisine, and the friendly and optimistic people of this vibrant region.
Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film since he took up photography. William Christenberry: Kodachromes is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited.
Born in Venice, raised in then British Corfu, and apprenticed to an English photographer during the Crimean War, Beato (1832–1909) was perhaps the first international photojournalist. He lived for more than 20 years in Japan during its first decades of modernization, and also spent significant periods in India, China, and Burma. This book, the catalogue for a current exhibit, includes 120 samples of his work. Particularly striking in Felice Beato: A Photographer on the Eastern Road are Beato’s wide variety of Asian cities and forts. These beautifully presented and explained images will appeal to students of both 19th-century photography and Western imperialist sensibility in the Far East.
Photographing America: Henri Cartier-Bresson / Walker Evans draws a parallel between the photographs on America made by Evans and Cartier-Bresson in the period from 1928 to 1948. Evans was well-established, had already published Let Us Now Praise Famous Men with James Agee, and was at work on Many Are Called. Cartier-Bresson, on the other hand, was just beginning his new career as a photographer. Although they both approached their work as a form of social criticism, imbued with references to literature and painting, their practices were always quite distinct.
As photography became an increasingly accessible medium in the twentieth century, the popularity of the photographic album exploded, yielding a wonderful range of objects made for varying purposes–to memorialize, document (officially or unofficially), promote, or educate and sometimes simply to channel creative energy. Photographic Memory: The Album in the Age of Photography traces the rise of the album from the turn of last century to the present day, showcasing some of the most important examples in the history of the medium, as collected by the Library of Congress. The book includes albums by acclaimed photographers and filmmakers, among them Walker Evans, Danny Lyon, Holland Day, Jim Goldberg, Dorothea Lange, Duane Michals, Leni Riefenstahl and W. Eugene Smith, as well as lesser-known but equally significant albums. Each album is beautifully reproduced over numerous spreads with an accompanying detailed explanatory text. An insightful history of the album format, as well as an informative essay about caring for and restoring albums are included. At a time when the physical collection of photographs is becoming increasingly immaterial through the ascent of digital publishing, and at a time in which radical shifts have occurred in the status of handmade artists’ objects, Photographic Memory is a comprehensive illustrated history of a form of presentation that became something of an art in itself.
National Geographic Simply Beautiful Photographs takes readers on a spectacular visual journey through some of the most stunning photographs to be found in National Geographic’s famed Image Collection. Award-winning photographer Annie Griffiths culled the images to reflect the many variations on the universal theme of beauty. Chapters are organized around the aesthetic concepts that create beauty in a photograph: Light, Composition, Moment (Gesture and Emotion), Motion, Palette, and Wonder.